Chicago playwright Netta Walker presents a power-packed drama titled “Hayward,” drawing inspiration from both “Electra” and “Hamlet.” The story revolves around a protagonist driven by a spectral father’s commands, embodying a fierce determination to avenge his demise.
Walker delivers a gripping 90-minute premiere at Gift Theatre, where actors plummet into depths akin to the Red Line subway under Steppenwolf’s 1700 Theatre. The play echoes themes found in Tracy Letts’ “August: Osage County,” Branden Jacobs-Jenkins’ “Purpose,” and the turbulent family dynamics of “The Bear’s” famous Christmas Eve episode, “The Feast of the Seven Fishes.”
Set in the authentic Black American South, Walker’s piece joins the ranks of American dramas dissecting family turmoil in the wake of a loved one’s passing. Luna, the central character, offers a deeply personal aura, suggesting influences from Walker’s life. It’s rare for authors to craft such intense narratives purely from their imaginations.
From her previous work “Keerah,” which seemed fit for Hollywood with its polished form, “Hayward” emerges as Walker’s definitive piece, aptly unveiled at Steppenwolf.
Director AmBer Montgomery heightens the intensity, supported by an exceptional cast. Each actor immerses themselves in their roles. Sydney Charles’s portrayal of a recovering addict, with an authentic overdose scene, struck viewers in disbelief. Alfred H. Wilson navigates the charged atmosphere brilliantly, portraying Pastor Johnson amidst turbulent challenges from other characters.
Strong performances from Victor Musoni, Gregory Fenner, Shanésia Davis, and Watson Swift further enrich the play, though Ireon Roach stands out. Her portrayal of Luna captures the essence of grief, torn between familial love and blame. It’s a moment of profound emotional depth, showcasing the often misunderstood human reaction to trauma.
Despite its strengths, “Hayward” isn’t flawless. The opening scene leans too heavily on humor, clashing with the intended tone. The motivations behind Pastor Johnson’s actions remain somewhat obscure, prompting curiosity about broader meanings beyond the play’s realm.
Watson Swift, Alfred H. Wilson, and Ireon Roach shine in this production. Viewers will recognize the characters and their destructive capabilities without needing shared backgrounds.
Reflective of Walker’s narrative skill, “Hayward” aligns with the likes of “A Strange Loop,” exploring the artistic soul’s struggle against life’s chaos. The play echoes the paradox haunting Electra and Hamlet.
Don’t miss “Hayward.” It’s an unfiltered theatrical ride.
Contact Information: Chris Jones, Tribune critic [email protected]
Review: “Hayward” (4 stars)
When: Through Nov. 22
Where: Gift Theatre in Steppenwolf’s 1700 Theater, 1700 N. Halsted St.
Running time: 1 hour, 30 mins.
Tickets: $45-$50 at 312-335-1650 and steppenwolf.org