Chris Vallillo’s Journey to the Stage with ‘Forgottonia’

Chris Vallillo’s Journey to the Stage with ‘Forgottonia’

Chris Vallillo has spent decades performing music across the country. This weekend, he will showcase his talents in the intimate 1700 Theater space inside Steppenwolf Theatre. Vallillo will be accompanied by distinguished musicians Don Stiernberg on mandolin and Marc Edelstein on bass. Their performance will be enhanced by Tim Schroll’s striking black-and-white photography.

A Blend of Influence

The show, titled “Forgottonia,” has a unique style that Vallillo describes as a mix of Bruce Springsteen and “Prairie Home Companion.” During a phone conversation from the road, he shared his ongoing passion for music and storytelling. A man usually on the move, Vallillo was traveling from Baldwin, Michigan, to Downers Grove when we spoke.

Born in Hammond, Indiana, Vallillo’s early years involved frequent relocations due to his father’s work as a civil engineer. Music became part of his life in New Castle, Pennsylvania, when he first picked up a guitar in sixth grade. Inspired by the opportunity to connect with others, Vallillo taught himself to play. During college, he further honed his skills, realizing his deep passion for music beyond the classroom.

Marrying Music and Stories

Vallillo’s storytelling through music has garnered attention. His guitar playing has been praised by FolkWax magazine editor Arthur Wood as “flowing like warm honey, a true aural delight.” Vallillo’s past works include “Abraham Lincoln in Song,” endorsed by the Lincoln Bicentennial Commission, and “Oh Freedom! Songs of the Civil Rights Movement.” He sees such songs as binding elements of historical movements, providing inspiration and unity.

The Origin of ‘Forgottonia’

The concept for “Forgottonia” originated from a 1976 archaeological field trip. Vallillo discovered an area in western Illinois known as “Forgottonia.” This so-called independent nation was born out of frustration with inadequate regional support for infrastructure projects. Vallillo draws from this political theater to highlight the region’s cultural richness.

As Vallillo recalls, his initial visit to the area felt like stepping decades back in time. Immersed in small farming communities, he was inspired by the stories and music of the people. This trip led to an album and airplay on prominent radio shows, earning critical acclaim for its vivid imagery and storytelling. The project received support and was warmly received in numerous performances around Illinois.

Bringing ‘Forgottonia’ to the Big City

Vallillo aims to share his rural-inspired show with urban audiences, finally succeeding after persistently reaching out to Chicago theaters. He and his wife live in Macomb, where they raised their daughter, Maggie. Now, Vallillo’s “Forgottonia” will be performed as part of the LookOut Series in Steppenwolf’s 1700 Theater.

With excitement and confidence, Vallillo anticipates connecting with city dwellers. His belief in the evolving nature of folk music, which reflects the lives and struggles of everyday people, remains strong.

If you go…

  • “Forgottonia” will be presented at 7:30 p.m. on Aug. 8 and 3 p.m. on Aug. 9.
  • Venue: Steppenwolf’s 1700 Theater, 1700 N. Halsted St.
  • For tickets and more information, visit www.steppenwolf.org.

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