Bleak Week is a film festival that initially emerged as a counterpoint to the post-pandemic demand for uplifting movies. The programmers at the American Cinematheque, a nonprofit arts organization that manages several historical theaters in Los Angeles, decided to take a different path. They imagined an art house alternative to feel-good suggestions, aligning Bleak Week with the city’s June Gloom.
A Bold and Uncertain Beginning
Grant Moninger, the artistic director, admitted initial uncertainty. He wondered whether audiences would embrace the concept or find it offensive. In 2022, Moninger and Chris LeMaire curated a lineup that showcased some of the most austere films, like Elem Klimov’s “Come and See” and Béla Tarr’s “Sátántangó.” Film critic Katie Walsh supported the event early, recognizing its appeal for a certain audience.
Rapid Global Expansion
Five years forward, Bleak Week has expanded worldwide. During June, theaters in 100 theaters across 73 cities in eight countries are participating. Screenings occur not only in major U.S. cities but also in smaller ones. The festival’s success counters its seemingly depressing name, emphasizing the empathetic power of cinema.
An Ennui-Filled Celebration
The nearly 7.5-hour screenings of “Sátántangó” regularly attract sellout crowds. Famous attendees, including filmmaker Béla Tarr himself, have been spotted at screenings. The event now includes venues like The Paris Theatre in New York and The Prince Charles Cinema in London. Walsh, both a participant and moderator, describes Bleak Week as a distinct opportunity to immerse in a unique emotional vibe.
“I usually have to go stare at a wall for like 30 minutes.”– Katie Walsh
Bleak Week 2026: A Comprehensive Showcase
The fifth installment is underway in Los Angeles with the Egyptian Theatre among host venues. Featured guests include Isabelle Huppert, Ari Aster, and Denis Villeneuve. Local programmers have curated over 300 films worldwide, spanning various genres—from wartime stories to interpersonal dramas. Despite the concept’s flexibility, they maintain a strict focus on narrative films.
The Gene Siskel Film Center highlights animations like “Princess Mononoke.” Argentina offers both local films and an Aster retrospective. Selections at Vancouver’s Park Theatre include choices from local talents. The most featured film this year is “Grave of the Fireflies,” portraying post-World War II challenges in Japan. “Come and See” remains a festival staple, reinforcing its bleak branding.
Ending on a Sweet Note
Despite its somber themes, Bleak Week in Los Angeles rounds off with a cheerful selection, showcasing the “Paddington” movies, affectionately dubbed a “marmalade chaser.” The festival transforms despair into art, maintaining a rule against documentaries and focusing on narrative storytelling.