Erika Sheffer’s 2024 play “Vladimir” intriguingly combines political thriller elements with family drama. The play dives into courage, cowardice, and the often gray areas between as authoritarian influence touches the lives of ordinary people. Under the direction of Lou Contey, Shattered Globe Theatre’s Midwest premiere emphasizes “simple acts by simple people,” leading to compelling character studies that evoke admiration, sympathy, and sometimes disgust.
Set in the early 2000s, the story unfolds against the backdrop of President Putin’s consolidation of power and his handling of the Second Chechen War. The protagonist, Raisa “Raya” Bobrinskaya, portrayed by Rebecca Jordan, is an investigative journalist who has narrowly escaped an assassination attempt. Despite this, she presents her editor, Kostya, played by Adam Schulmerich, with a potentially explosive story involving a financial scandal possibly linked to high ranks in the Kremlin.
The specific setting of the play, although rooted in Russian politics, is crafted for American audiences. Commissioned by LA’s Geffen Playhouse and debuted at Manhattan Theatre Club, it invites viewers to draw parallels to current events. An American character, Jim, portrayed by Drew Schad, embodies certain perceptions and ends up somewhat pitiable, sparking contemplation about accountability.
Jordan’s portrayal of Raya captures her steadfastness, which frustrates her loved ones and shames those who avoid risk. Her daughter, Galina, played by Juliana Liscio, illustrates the tension between familial and professional obligations as she plans her wedding amidst concerns for her mother’s safety.
Yevgeny, played by Tristan Odenkirk, evolves beautifully in his role. A Ukrainian accountant whose wife is pregnant, Yevgeny reluctantly steps into heroism, assisting Raya with her investigation. Odenkirk’s performance is nuanced and moving, showing courage development and comedic talent, which mirrors the creativity in his family, being related to actor Bob Odenkirk.
The play’s various characters offer diverse stances on life under an oppressive regime. Kostya, once an inspiration for Raya, represents ambivalence and self-preservation as he diverges in his choices. Jim’s character, boasting but faltering, challenges audiences to self-reflect on what choices they might make under similar pressures.
The production’s design enhances these themes. Scenic designer Joe Schermoly sets a stark stage with transitions turned into mini-vignettes, thanks to director Contey’s creative staging. Christopher Kriz’s percussive score adds tension, while Nga Sze Chan’s minimalist props reflect the bare realities of the characters’ world.
“Vladimir” doesn’t simplify moral questions. Featuring a mysterious Chechen woman played by Kseniya Janyan, the play poses questions about compassion and action against injustice, compelling audiences to consider their own courage. The production at Theater Wit challenges and engages through November 14.
Emily McClanathan is a freelance critic.
Review: “Vladimir” (3.5 stars)
When: Through Nov. 14
Where: Shattered Globe Theatre at Theater Wit, 1229 W. Belmont Ave.
Running time: 2 hours, 15 minutes
Tickets: $20-$60 at 773-975-8150 and SGTheatre.org