The director Lonny Price has managed to breathe new life into “Dirty Dancing: The Musical.” This stage adaptation of the 1987 film, featuring Jennifer Grey and Patrick Swayze, has seen various productions over the years, starting from Australia and the U.K. In the United States, previous attempts to stage the musical lacked theatrical finesse and were often seen as cash grabs targeting fans of the movie.
However, the new touring production, which opened at the Nederlander Theatre in Chicago, offers a fresh perspective. Critics might have limited sway over the success of this title, yet there is potential for this version to succeed in a limited Broadway run, similar to the “Mamma Mia!” summer slot that was financially successful.
Darrell Grand Moultrie, recognized for his work on Beyoncé’s world tour, has infused the show with superior choreography while maintaining its historical context. The focus remains on social dancing, an integral part of the film’s appeal. Music that had previously been disregarded now embraces the richness of the American songbook with songs like “Fly Me to the Moon.”
Price has adeptly selected his cast, featuring skilled dancers who bring a seriousness to the production. The musical doesn’t require lead characters Baby or Johnny to sing, with musical numbers performed by minor characters who double as vocalists. This allowed Price to prioritize dancers in the primary roles. Blake Zelesnikar shines as Johnny with his experience from “American in Paris.” Olivia Cece, a Broadway dancer from “Moulin Rouge,” plays Penny, while Annalese Starzec captivates in the role of Baby. Her resemblance to Grey and her talent as a dancer of shorter stature add authenticity to her performance.
The production retains Eleanor Bergstein’s original script, from the film, without an overhaul. While newer elements might have enhanced theatrical aspects, Price’s adaptation thrives amid Brett J. Banakis’ elegant Catskills-inspired design. Coupled with a cast delivering lines with dignity, the musical feels more polished than before.
Bryan Fenkart offers a touching tribute to Jerry Orbach in his portrayal of Jake Houseman, adding another layer of emotional depth to the show. Ashley LaLonde delivers powerful vocals, while Erick Pinnick provides smooth singing, contributing to the show’s transformation.
Ultimately, this is “Dirty Dancing” on stage, echoing the timeless allure of the film. Audiences continue to gravitate toward its story, and this production provides plenty of reasons to enjoy. If you’re a fan, don’t miss out on this invigorating take.
Review: “Dirty Dancing” (3 stars)
When: Through Sept. 20
Where: Nederlander Theatre, 24 W. Randolph St.
Running time: 2 hours 25 minutes
Tickets: $40-$155 at 312-977-1700 and broadwayinchicago.com
