Many films today feature a flat, uninspiring style, making vibrant cinematography increasingly rare. Boots Riley, known for his satirical cult classic “Sorry to Bother You,” defies this trend with his latest film, “I Love Boosters.” It’s a vibrant departure from the norm, where color plays a crucial role in storytelling.
“I Love Boosters” follows three women—Keke Palmer, Taylour Paige, and Naomi Ackie—engaged in shoplifting designer clothes in the Bay Area. Their target: Metro Design stores, owned by the billionaire fashion designer Christie Smith, portrayed by Demi Moore.
The film expertly balances live-action “Looney Tunes” antics with biting social satire, a hallmark of Riley’s style. The narrative complexity demands multiple viewings to grasp its full scope. Debunking conventional storytelling, the film presents scenes like a demon absorbing souls through unconventional methods, followed by a powerful discourse on class struggle.
Visually, “I Love Boosters” captivates. The sets and costumes are a testament to creativity, filled with vivid colors. The composition by Tune-Yards, featuring the memorable “Hi-Yo” leitmotif, enhances the film’s aesthetic.
The movie has its shortcomings. While Demi Moore delivers a competent performance as Christie Smith, a more flamboyant portrayal might have matched the film’s eccentric tone better. Some gags don’t produce the expected laughter, perhaps due to the film’s fast-paced delivery and abundance of material.
Despite imperfections, “I Love Boosters” ends with a hopeful message, distinguishing itself from other socially critical films that often conclude on a pessimistic note. Riley’s work brings a positive outlook to challenging themes.
“I Love Boosters” stands out creatively, thanks to Riley’s distinct vision, offering one of the year’s most entertaining, high-energy experiences.
Verdict: 7/10